CHARACTERISTIC
OF FUTURISM
(1909-1914)
Futurism
was an avant-garde art movement which was
launched in Italy, in 1909, although parallel movements arose in Russia,
England and elsewhere. It was one of the first important modern art
movements
not centred in Paris - one reason why it is not taken seriously in France. Futurism exalted the dynamism of the modern
world, especially its science and technology. Futurist ideology
influenced all types of art. It began in literature but spread to every medium,
including painting, sculpture, industrial design, architecture, cinema and
music. However, most of its major exponents were painters and the movement
produced several important 20th
century paintings.
It ceased to be an aesthetic force in 1915, shortly after the start of the
First World War, but lingered in Italy until the 1930s.
Futurist
Sculpture
In
1912, Umberto Boccioni, the only sculptor among the Futurists, published his
own Manifesto - Futurist Painting
Sculpture: Plastic Dynamism (Pittura scultura Futuriste: Dinamismo
plastico), which expounded his Bergson-type ideas on intuition, inner being
and the relationship of form, motion and space. The following year Boccioni
produced his masterpiece Unique Forms of Continuity in Space (1913,
casts in MoMA New York, Tate London and elsewhere). This work vividly depicts
the movement of the body, and illustrates his theory of "dynamism", a
theme he also explored in other works like Synthesis of Human Dynamism
(1912), Spiral Expansion of Speeding Muscles (1913) and Speeding
Muscles (1913).
Futurism artists
Umberto Boccioni (1882 - 1916)
Kasimir Malevich (1878 - 1935)
Liubov Popova
(1889 - 1924)
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